6.28.2011

London, Day #12

Today we had two lectures that were very different from our usual discourse.

The first lecture was on the importance of Curators in the art world. We learned about some very famous curators (who I had not heard of and I really regret to say this), and their sort of diverse workings in the art world. I found it all very interesting, but also extremely challenging to take in. I have sort of moved away from the idea of curation in my own mind, I mean I would like to own a space for art and "curate" the shows there, someday, but maybe not on this high of a level. Regardless of that we learned about some really cool stuff. And I'd just like to share with you all the "advertising" art/cover of the catalogue for Documenta 10, an art exhibit that takes place every five years or so in Kassel, Germany (next year it will be Documenta 13).

The reason why I am sharing this with you is because it is typography based, and I really love typography based works of art.

The second lecture was given by the director of the MA program in Art Business at Sotheby's (Which is the program I am mostly interested in). The lecturer was very interesting and extremely knowledgable about art and the art market, which is something I aim for in my studies as well. I really enjoyed the lecture, but it was a lot of numbers which I am sure many people did not like.

Afterwards we met up at the White Cube in Hoxton (East End) which was very different from the White Cube in St. James's where we were last week. I really loved the show. It was works by a South African artist named Robin Rhodes, and I swear if I had money I would have bought every photograph in the exhibit. I really truly honestly loved his work. I took photos of the photographs and will post them in my facebook album later this week (when I have more photos to post). His work deals a lot with issues of black and white, and the photographs were also dealing with the Fibonacci sequence, which I find fascinating, yet I can't say I fully understand it. He also had some film works and they were really incredible as well. Sort of stop motion pieces that used a wall like a blank canvas for ideas. Unfortunately we weren't allowed to take photos in the room of films, so I could not film my favorite piece, but if ever you get a chance to see a Robin Rhodes exhibition (he is an up and coming artist for sure) please go and see it so we can gush together.

We then traveled about 15 minutes on foot to another set of galleries and looked at a few works by Yayoi Kusama and Alice Neel. The Kusama work was her more recent works which I do not think are as conceptual as her pre-mental institution works, but they were sort of enjoyable and happy. I was really impressed, however, with the Alice Neel works. I am a bit unfamiliar with her work, but her painting style is quite incredible and beautiful. The work was a collection of portraits that she painted of men in her life and men she met, and it was so interesting to see an exhibition of works painted by a woman, that was only portraits of men. The style made me think of the way that female nudes were painted at a certain time in art history, and so I was very pleased to soak in the pieces.

We also looked at the work of another artist who was completely disgusting that I didn't even write down his name, so that is unrelated.

Sore throat still in existence, but tomorrow in addition to going to the Camden Arts Centre and the Freud Museum, we are going on a day trip to Oxford! The school is providing us with an open ended ticket (on the return end) so I think we will stay a bit later and look around Oxford. I don't know if you can tell how excited I really am, but it is late here and I should get to bed as tomorrow is another long day, but let me prep you for the grand finale of my week: I am going to Bath on Friday! So if you have any recommendations in Bath beyond the usual, go see the Roman Baths, I am there for several hours and need more things to do! Please e-mail me.

xoxooxxoxoxoox

London, Day #11

Sorry for the delay, I've developed a bit of a sore throat and have been trying to take care of it. Meanwhile on Monday we endured two lectures in the morning and a visit to the famed Saatchi Gallery.

Our first lecture was on Globalism and global art. I was very excited for this lecture because a lot of the art I have been studying in school has been from other countries and cultures, so it was nice to round that out in the contemporary world. Some of the artists mentioned that I really admire (now) or already really admire are....

Zhang Huan
He's a performance artist and he documents many of his performances with still photography, that stand alone in some cases.

Here are three of his pieces which you have probably seen if you live in either Los Angeles (at the Getty Center) or San Francisco (SFMOMA).

"Family Tree," 2000

"To Raise The Water Level in a Fish Pond" 1997
Another artist whose work I really liked, but I have never heard of before, was Kim Sooja, from Korea. The work we were shown was in the 1999 Venice Biennale. I am considering going to the Biennale when I am in Venice in a few weeks... we shall see if it's worth the cash.

"Bottari Truck in Exile," 1999

Our second lecture was entitled "The Moving Image" which we had with our frequent guest Lecturer, Maxa, who is from Germany. I really like her a lot, and she has some great references in art and film, although I do not agree with her entirely on certain aesthetics in art.
In this lecture we watched two films/videos that very much contrasted with one another in terms of their theme. One was by Jean-Luc Godard (the famed French filmmaker). It was a five minute film that compiled clips from other films (some of his) and ideas about how the art of fim and video is lost in the digital age. One of the quotes in the film (entitled "In the Darkness of Times") was something that I found to be rather beautiful. I think it went something like this:
"When I talk about time it is because it does not exist, when I talk about a place it is because it has vanished."

The film we watched in comparison was by artist Oliver Laric (who also does sculptural work). I strongly consider all of you to watch the film as it is online and you can watch it for free. You may get a bit distracted by the images and what you are looking at (and this film totally qualifies my utter disgust for Disney) so you should watch it a second time to listen to the text. It is also about the image but I think it is quite different than the Godard piece. The piece talks about the appropriation of images which is something that is discussed a ton in contemporary art. It is called "Versions" and it is the 2010 piece, not the 2009!

http://oliverlaric.com/vvversions.htm

As far as Saatchi goes, I had extremely high expectations and I was completely unimpressed. The space was beautiful, but the majority of the works in the show and in the collection were extremely poor choices. Some of the work was utter crap, and I have no idea why the gallery is so praised. Maybe if I had seen another show, or if I had other expectations I wouldn't have been so disappointed. Nothing more to say about that.